How Did Les Demoiselles D Avignon Influence on Modern Art
Pablo Picasso Les Demoiselles d'Avignon Paris, June-July 1907
- MoMA, Floor v, 503 The Alfred H. Barr, Jr. Galleries
Les Demoiselles d'Avignon marks a radical pause from traditional limerick and perspective in painting. It depicts five naked women equanimous of flat, splintered planes whose faces were inspired by Iberian sculpture and African masks. The compressed space they inhabit appears to project frontwards in jagged shards, while a piece of melon in the still life at the bottom of the composition teeters on an upturned tabletop. Picasso unveiled the monumental painting in his Paris studio after months of revision. The Avignon of the piece of work'south title is a reference to a street in Barcelona famed for its brothels.
Gallery label from 2019
This piece of work is as uncomfortable to expect at as it is impossible to look away from. No other painting in the history of Western art and so boldly, and baldly, confronts the viewer. 3 of the five naked protagonists stare outward, trapping the states with their gazes, simply as the moving picture's complicated infinite, populated by bodies that simultaneously printing against and recede from its surface, draws us in. Pictorial conventions are banished and idealized notions of beauty jettisoned. The ii rightmost figures' masklike features are often connected to Picasso's visit, midway through his work on the painting, to the Musée d'Ethnographie du Trocadéro in Paris—the city's outset anthropological museum. There he had an epiphanic run into with African and Oceanic art, which influenced the work's ferocious antinaturalism—the degree to which the depicted figures resist mimetic norms.
Picasso produced an unprecedented quantity of preparatory drawings and paintings for Demoiselles. They speak to his struggle to reinvent Western painting in his own stylistically disjunctive, spatially contradictory, aggressively confrontational terms. The title Les Demoiselles d'Avignon (The women of Avignon) was given to the piece of work around the time of its first public exhibition. It alludes to the prostitutes of Barcelona'due south red-light district and foregrounds the psychosexual dimension and erotic content that conjoin with Demoiselles'southward explosive form and fuel its continued ability to shock.
Publication excerpt from MoMA Highlights: 375 Works from The Museum of Modern Art, New York (New York: The Museum of Modern Fine art, 2019)
- Medium
- Oil on canvas
- Dimensions
- 8' 10 seven' 8" (243.9 x 233.7 cm)
- Credit
- Acquired through the Lillie P. Elation Heritance (by exchange)
- Object number
- 333.1939
- Copyright
- © 2022 Manor of Pablo Picasso / Artists Rights Society (ARS), New York
- Department
- Painting and Sculpture
We have identified these works in the following photos from our exhibition history.
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Cubism and Abstract Art
Mar 2–Apr 19, 1936
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Fine art in Our Time: 10th Ceremony Exhibition: Painting, Sculpture, Prints
May ten–Sep 30, 1939
1 other work identified
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The Museum Collection of Painting and Sculpture
Jun twenty, 1945–Feb 13, 1946
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Paintings, Sculpture, and Graphic Arts from the Museum Collection
Jul 2, 1946–Sep 12, 1954
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Large-Scale Modern Paintings
April 1–May four, 1947
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Large-Scale Mod Paintings
April ane–May 4, 1947
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Works from the Museum Drove
Aug 12–Sep 21, 1952
1 other work identified
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XXVth Anniversary Exhibition: Paintings from the Museum Drove
Oct 19, 1954–Feb 6, 1955
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XXVth Anniversary Exhibition: Paintings from the Museum Collection
Oct 19, 1954–February vi, 1955
1 other piece of work identified
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Picasso: 12 Masterworks
Mar fifteen–April 17, 1955
one other piece of work identified
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Picasso: 75th Anniversary
May iv–Sep viii, 1957
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Picasso in the Museum of Modern Art: 80th Birthday Exhibition
May xiv–Sep 18, 1962
2 other works identified
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Art in a Changing World: 1884–1964: Painting and Sculpture from the Museum Collection
May 27, 1964
1 other work identified
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Picasso in the Collection of The Museum of Modern Art
Feb 3–Apr two, 1972
3 other works identified
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Permanent Collection
Mar 29, 1972–Apr 21, 1980
three other works identified
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Permanent Drove
Mar 29, 1972–Apr 21, 1980
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Pablo Picasso: A Retrospective
May 16–Sep 30, 1980
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Pablo Picasso: A Retrospective
May 16–Sep xxx, 1980
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Masterpieces from the Collection: Selections from the Late Nineteenth- and Early Twentieth-Centuries
Oct 25, 1980–Jan 27, 1981
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Masterpieces from the Collection: Selections from the Tardily Nineteenth- and Early Twentieth-Centuries
Oct 25, 1980–Jan 27, 1981
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Masterpieces from the Collection
Mar 2, 1982–Mar 1, 1983
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Selections from the Permanent Collection: Painting and Sculpture
May 17, 1984–Aug 4, 1992
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Selections from the Permanent Drove: Painting and Sculpture
May 17, 1984–Aug four, 1992
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Selections from the Permanent Collection: Painting and Sculpture
May 17, 1984–Aug 4, 1992
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Selections from the Permanent Drove: Painting and Sculpture
May 17, 1984–Aug four, 1992
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"Primitivism" in 20th Century Fine art: Affinity of the Tribal and the Modern
Sep 27, 1984–Jan xv, 1985
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"Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern
Sep 27, 1984–Jan fifteen, 1985
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"Primitivism" in 20th Century Art: Affinity of the Tribal and the Mod
Sep 27, 1984–January 15, 1985
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Picasso and Braque: Pioneering Cubism
Sep 24, 1989–Jan 16, 1990
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Selections From The Collection (1992)
Sep 9, 1992–Feb 21, 1993
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Selections From The Collection (1992)
Sep ix, 1992–Feb 21, 1993
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Special Installation: Matisse, Picasso, and Les Demoiselles d'Avignon
Jan 23–31, 1993
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Selections from the Collection (1993)
Mar fifteen–Jul half dozen, 1993
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Selections from the Permanent Collection of Painting and Sculpture
Jul one, 1993
2 other works identified
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Selections from the Permanent Drove of Painting and Sculpture
Jul 1, 1993
1 other work identified
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MoMA2000, ModernStarts: People, Composing with the Effigy
October 7, 1999–Feb i, 2000
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MoMA2000, ModernStarts: People, Composing with the Effigy
Oct 7, 1999–Feb 1, 2000
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MoMA2000, ModernStarts: People, Composing with the Figure
Oct seven, 1999–Feb 1, 2000
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Collection Highlights (2000)
May 25, 2000–Jan 28, 2001
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Collection Highlights (2000)
May 25, 2000–Jan 28, 2001
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Collection Highlights
May viii–10, 2002
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Drove Highlights
May viii–10, 2002
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To Exist Looked At: Painting and Sculpture from the Collection
Jul 3, 2002–Sep 6, 2004
6 other works identified
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To Be Looked At: Painting and Sculpture from the Collection
Jul 3, 2002–Sep vi, 2004
two other works identified
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Matisse Picasso
Feb thirteen–May 19, 2003
two other works identified
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Matisse Picasso
Feb xiii–May 19, 2003
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Matisse Picasso
Feb xiii–May nineteen, 2003
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Matisse Picasso
Feb 13–May xix, 2003
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Matisse Picasso
Feb xiii–May 19, 2003
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Matisse Picasso
February 13–May 19, 2003
two other works identified
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Painting &
Sculpture Ii Nov 20, 2004–Aug 5, 2015
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Painting &
Sculpture 2 Nov 20, 2004–Aug v, 2015
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Painting &
Sculpture II November 20, 2004–Aug 5, 2015
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Picasso's Demoiselles d'Avignon at 100
May ix–Aug 27, 2007
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503: Effectually Les Demoiselles d'Avignon
Fall 2019-Fall 2021
2 other works identified
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503: Around Les Demoiselles d'Avignon
Autumn 2019-Autumn 2021
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503: Around Les Demoiselles d'Avignon
Autumn 2019-Fall 2021
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503: Effectually Les Demoiselles d'Avignon
Autumn 2019-Fall 2021
four other works identified
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503: Picasso, Rousseau, and the Paris Avant-Garde
Ongoing
4 other works identified
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503: Picasso, Rousseau, and the Paris Advanced
Ongoing
iii other works identified
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503: Picasso, Rousseau, and the Paris Avant-garde
Ongoing
ii other works identified
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This piece of work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA'south collection.
The creative person, Paris. 1907 - 1924
Jacques Doucet (1853-1929), Neuilly (Paris). Purchased from Picasso in Feb 1924 - 1929
Madame Jacques Doucet (Jeanne Roger), Neuilly. 1929 - September 1937
Jacques Seligmann & Co., New York. Purchased from Madame Doucet in September 1937
The Museum of Modern Art, New York. Purchased from Seligmann, through the Lillie P. Bliss Bequest, in 1937. Transaction completed in 1939
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Source: https://www.moma.org/collection/works/79766
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